Body Movement in the Dance & Video 8 Physical Theatre

Body Movement in the Dance & Video 8 Physical TheatreChoreographer Lloyd Newson, around 1986, becomes director of Dance & Video 8 Physical Theatre and begins a wide production founded on an essential correlation between dramaturgy with theatre and dance. Thanks to the dualism between cinema and theatre, the two most important among visual arts, the company makes performances that highlight both languages of film and performing arts and that captivate a new and curious wide readership.Their artistic production evolves for almost 30 years over the beginning of multimedia and interactive communication. This production highlights the purpose of a language forerunner of the brandnew artistic and cinema's learnings. The choice to propose again theatre-dance's performances in movie and therefore to choose the use of expressive codes belonging to cinematographic language, brings to the creation of a peculiar way to show play' s dramaturgy and overall players- dancers' body movement. Classical Theatre space is exasperated and the audience puts on a new visual level. In this way the company makes extreme linguistical works and an image dramatization that crowds all their movies. The following article will highlight the application of movie through analysis of the body movement in video to make works where body movement put on an extreme level in images, succeeds to give back the stories in a genuine way, theatral experience becomes in this way more direct and individual protagonists appropriates again of their own social identity and share it with the whole audience.